A SNARC-like effect for music notation: The role of expertise and musical instrument.
Identifieur interne : 000007 ( Main/Exploration ); précédent : 000006; suivant : 000008A SNARC-like effect for music notation: The role of expertise and musical instrument.
Auteurs : Antonia Fumarola [Italie] ; Valter Prpic [Royaume-Uni] ; Riccardo Luccio [Italie] ; Carlo Umiltà [Italie]Source :
- Acta psychologica [ 1873-6297 ] ; 2020.
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Abstract
The Spatial-Numerical Association of Response Codes (SNARC) suggests the existence of an association between number magnitude and response location, with faster left key-press responses to small numbers and faster right key-press responses to large numbers. We investigated whether a similar association exists between musical notes on the stave and the space of response execution, involving amateur and expert musicians (Experiment 1). Moreover, in Experiment 2 we further investigated such association in two groups of expert musicians (piano and transverse flute players) who differ in the note mapping on their instruments. Results indicate a clear association between musical notes and the space of response execution only for musicians with formal education. Furthermore, this association seems not to be influenced by the specific instrument played, as both piano and transverse flute players showed the same effect direction (left key-press advantage for low notes, and vice versa).
DOI: 10.1016/j.actpsy.2020.103120
PubMed: 32615486
Affiliations:
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Electronic address: valter.prpic@dmu.ac.uk.</nlm:affiliation><country xml:lang="fr">Royaume-Uni</country><wicri:regionArea>Institute for Psychological Science, De Montfort University</wicri:regionArea><wicri:noRegion>De Montfort University</wicri:noRegion></affiliation></author><author><name sortKey="Luccio, Riccardo" sort="Luccio, Riccardo" uniqKey="Luccio R" first="Riccardo" last="Luccio">Riccardo Luccio</name><affiliation wicri:level="1"><nlm:affiliation>Department of Life Sciences, University of Trieste, Italy.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>Department of Life Sciences, University of Trieste</wicri:regionArea><wicri:noRegion>University of Trieste</wicri:noRegion></affiliation></author><author><name sortKey="Umilta, Carlo" sort="Umilta, Carlo" uniqKey="Umilta C" first="Carlo" last="Umiltà">Carlo Umiltà</name><affiliation wicri:level="1"><nlm:affiliation>Department of General Psychology, University of Padova, Italy.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>Department of General Psychology, University of Padova</wicri:regionArea><wicri:noRegion>University of Padova</wicri:noRegion></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">PubMed</idno><date when="2020">2020</date><idno type="RBID">pubmed:32615486</idno><idno type="pmid">32615486</idno><idno type="doi">10.1016/j.actpsy.2020.103120</idno><idno type="wicri:Area/Main/Corpus">000003</idno><idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="PubMed">000003</idno><idno type="wicri:Area/Main/Curation">000003</idno><idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Curation">000003</idno><idno type="wicri:Area/Main/Exploration">000003</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en">A SNARC-like effect for music notation: The role of expertise and musical instrument.</title><author><name sortKey="Fumarola, Antonia" sort="Fumarola, Antonia" uniqKey="Fumarola A" first="Antonia" last="Fumarola">Antonia Fumarola</name><affiliation wicri:level="1"><nlm:affiliation>Department of Life Sciences, University of Trieste, Italy. Electronic address: antonia.fumarola@gmail.com.</nlm:affiliation><country xml:lang="fr">Italie</country><wicri:regionArea>Department of Life Sciences, University of Trieste</wicri:regionArea><wicri:noRegion>University of Trieste</wicri:noRegion></affiliation></author><author><name sortKey="Prpic, Valter" sort="Prpic, Valter" uniqKey="Prpic V" first="Valter" last="Prpic">Valter Prpic</name><affiliation wicri:level="1"><nlm:affiliation>Institute for Psychological Science, De Montfort University, United Kingdom. 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We investigated whether a similar association exists between musical notes on the stave and the space of response execution, involving amateur and expert musicians (Experiment 1). Moreover, in Experiment 2 we further investigated such association in two groups of expert musicians (piano and transverse flute players) who differ in the note mapping on their instruments. Results indicate a clear association between musical notes and the space of response execution only for musicians with formal education. Furthermore, this association seems not to be influenced by the specific instrument played, as both piano and transverse flute players showed the same effect direction (left key-press advantage for low notes, and vice versa).</div></front></TEI><pubmed><MedlineCitation Status="MEDLINE" IndexingMethod="Curated" Owner="NLM"><PMID Version="1">32615486</PMID><DateCompleted><Year>2020</Year><Month>10</Month><Day>28</Day></DateCompleted><DateRevised><Year>2020</Year><Month>10</Month><Day>28</Day></DateRevised><Article PubModel="Print-Electronic"><Journal><ISSN IssnType="Electronic">1873-6297</ISSN><JournalIssue CitedMedium="Internet"><Volume>208</Volume><PubDate><Year>2020</Year><Month>Jul</Month></PubDate></JournalIssue><Title>Acta psychologica</Title><ISOAbbreviation>Acta Psychol (Amst)</ISOAbbreviation></Journal><ArticleTitle>A SNARC-like effect for music notation: The role of expertise and musical instrument.</ArticleTitle><Pagination><MedlinePgn>103120</MedlinePgn></Pagination><ELocationID EIdType="pii" ValidYN="Y">S0001-6918(19)30449-4</ELocationID><ELocationID EIdType="doi" ValidYN="Y">10.1016/j.actpsy.2020.103120</ELocationID><Abstract><AbstractText>The Spatial-Numerical Association of Response Codes (SNARC) suggests the existence of an association between number magnitude and response location, with faster left key-press responses to small numbers and faster right key-press responses to large numbers. We investigated whether a similar association exists between musical notes on the stave and the space of response execution, involving amateur and expert musicians (Experiment 1). Moreover, in Experiment 2 we further investigated such association in two groups of expert musicians (piano and transverse flute players) who differ in the note mapping on their instruments. Results indicate a clear association between musical notes and the space of response execution only for musicians with formal education. Furthermore, this association seems not to be influenced by the specific instrument played, as both piano and transverse flute players showed the same effect direction (left key-press advantage for low notes, and vice versa).</AbstractText><CopyrightInformation>Copyright © 2020 Elsevier B.V. All rights reserved.</CopyrightInformation></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Fumarola</LastName><ForeName>Antonia</ForeName><Initials>A</Initials><AffiliationInfo><Affiliation>Department of Life Sciences, University of Trieste, Italy. Electronic address: antonia.fumarola@gmail.com.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Prpic</LastName><ForeName>Valter</ForeName><Initials>V</Initials><AffiliationInfo><Affiliation>Institute for Psychological Science, De Montfort University, United Kingdom. Electronic address: valter.prpic@dmu.ac.uk.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Luccio</LastName><ForeName>Riccardo</ForeName><Initials>R</Initials><AffiliationInfo><Affiliation>Department of Life Sciences, University of Trieste, Italy.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Umiltà</LastName><ForeName>Carlo</ForeName><Initials>C</Initials><AffiliationInfo><Affiliation>Department of General Psychology, University of Padova, Italy.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType></PublicationTypeList><ArticleDate DateType="Electronic"><Year>2020</Year><Month>06</Month><Day>30</Day></ArticleDate></Article><MedlineJournalInfo><Country>Netherlands</Country><MedlineTA>Acta Psychol (Amst)</MedlineTA><NlmUniqueID>0370366</NlmUniqueID><ISSNLinking>0001-6918</ISSNLinking></MedlineJournalInfo><CitationSubset>IM</CitationSubset><MeshHeadingList><MeshHeading><DescriptorName UI="D006801" MajorTopicYN="N">Humans</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D009146" MajorTopicYN="Y">Music</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D011361" MajorTopicYN="N">Professional Competence</DescriptorName></MeshHeading><MeshHeading><DescriptorName UI="D013028" MajorTopicYN="Y">Space Perception</DescriptorName></MeshHeading></MeshHeadingList><KeywordList Owner="NOTNLM"><Keyword MajorTopicYN="N">Music cognition</Keyword><Keyword MajorTopicYN="N">Music notation</Keyword><Keyword MajorTopicYN="N">SMARC</Keyword><Keyword MajorTopicYN="N">SNARC</Keyword><Keyword MajorTopicYN="N">Spatial response correspondence</Keyword></KeywordList></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="received"><Year>2019</Year><Month>10</Month><Day>28</Day></PubMedPubDate><PubMedPubDate PubStatus="revised"><Year>2020</Year><Month>03</Month><Day>17</Day></PubMedPubDate><PubMedPubDate PubStatus="accepted"><Year>2020</Year><Month>06</Month><Day>16</Day></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2020</Year><Month>7</Month><Day>3</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2020</Year><Month>10</Month><Day>29</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="entrez"><Year>2020</Year><Month>7</Month><Day>3</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate></History><PublicationStatus>ppublish</PublicationStatus><ArticleIdList><ArticleId IdType="pubmed">32615486</ArticleId><ArticleId IdType="pii">S0001-6918(19)30449-4</ArticleId><ArticleId IdType="doi">10.1016/j.actpsy.2020.103120</ArticleId></ArticleIdList></PubmedData></pubmed><affiliations><list><country><li>Italie</li><li>Royaume-Uni</li></country></list><tree><country name="Italie"><noRegion><name sortKey="Fumarola, Antonia" sort="Fumarola, Antonia" uniqKey="Fumarola A" first="Antonia" last="Fumarola">Antonia Fumarola</name></noRegion><name sortKey="Luccio, Riccardo" sort="Luccio, Riccardo" uniqKey="Luccio R" first="Riccardo" last="Luccio">Riccardo Luccio</name><name sortKey="Umilta, Carlo" sort="Umilta, Carlo" uniqKey="Umilta C" first="Carlo" last="Umiltà">Carlo Umiltà</name></country><country name="Royaume-Uni"><noRegion><name sortKey="Prpic, Valter" sort="Prpic, Valter" uniqKey="Prpic V" first="Valter" last="Prpic">Valter Prpic</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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